{"id":2997,"date":"2024-11-19T17:37:36","date_gmt":"2024-11-19T16:37:36","guid":{"rendered":"https:\/\/www.majuno.fr\/?p=2997"},"modified":"2024-11-20T10:20:43","modified_gmt":"2024-11-20T09:20:43","slug":"anne-de-la-forge","status":"publish","type":"post","link":"https:\/\/www.majuno.fr\/en\/anne-de-la-forge\/","title":{"rendered":"Anne de la Forge"},"content":{"rendered":"
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Anne de la Forge is a contemporary art enameller; she works on sterling enamels on copper plates. Just as a painter, she superimposes enamel layers until obtaining the desired picture.<\/p>\n\n\n\n

Former interior designer, she now devises various decorations for individuals or designers: sculptures, pieces of furniture or wall panels.<\/p>\n\n\n\n

For Majuno, Anne de la Forge created three exclusive trays in her Gouvieux-located workshop, in the Oise region.<\/p>\n<\/div>\n\n\n\n

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\"anne<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"Texture<\/figure>\n<\/div>\n\n\n\n
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Why did you choose to work on enamels?<\/strong><\/strong><\/strong><\/p>\n\n\n\n

I used to work as an interior designer. My job helped me discover many artistic occupations. Little by little, I began to craft jewelry and during a traineeship, I worked on enamel. I had an epiphany when I discovered materials processing. Enamel is an ancestral material that has long been little-known but is now increasingly used for decoration or furniture design.<\/p>\n\n\n\n

I paint as a second profession; I saw my art evolve with the use of copper as a canvas, and enamels as pigments. You could say that I am painting using crystal. <\/p>\n<\/div>\n<\/div>\n\n\n\n

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How did you approach Majuno\u2019s project?<\/strong><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Exhibit 3, for instance, a really visual work, comes from a piece I named \u201cLes Bouleaux\u201d (Birch Trees) on which I feather and brush painted using crystal powder. Les Bouleaux<\/em> pour lequel je dessine avec de la poudre de cristal \u00e0 la plume et au pinceau.<\/p>\n\n\n\n

Constraints:<\/strong><\/p>\n\n\n\n

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  • A bigger plate or a greater number of layers means the metal has higher chances of being twisted.<\/li>\n\n\n\n
  • A piece cannot be bigger than 30x30 centimeters. <\/li>\n\n\n\n
  • You must always work on 1-millimeter plates (to limit the piece\u2019s cost and weight).<\/li>\n<\/ul>\n<\/div>\n\n\n\n
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    \"Texture<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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    \"Carreau<\/figure>\n\n\n\n
    \"Tableau<\/figure>\n<\/figure>\n<\/div>\n\n\n\n
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    Exhibit 1<\/strong><\/p>\n\n\n\n

    \u201cGrand feu\u201d enamel \u2013 Sterling abyss color clear glass-lined enamels on copper. <\/p>\n\n\n\n

    Exhibit 2<\/strong><\/p>\n\n\n\n

    \u201cGrand feu\u201d enamel \u2013 Sterling golden sand color clear glass-lined enamels on hammered copper.<\/p>\n\n\n\n

    Exhibit 3<\/strong><\/p>\n\n\n\n

    \u201cGrand feu\u201d enamel \u2013 Sterling opaque glass-lined enamels on copper, feather drawing technique.<\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

    Emailleur d\u2019art contemporain, Anne de la Forge travaille l\u2019\u00e9mail d\u2019orf\u00e8vre sur des plaques de cuivre. Comme un peintre, elle y superpose les couches d\u2019\u00e9mail jusqu\u2019\u00e0 obtenir le tableau souhait\u00e9. Ancienne architecte d\u2019int\u00e9rieur, elle r\u00e9pond aux commandes de particuliers ou de designers pour qui elle imagine des d\u00e9cors divers : sculptures, mobilier ou panneaux muraux. Pour Majuno, […]<\/p>","protected":false},"author":1,"featured_media":3162,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_seopress_robots_primary_cat":"none","_seopress_titles_title":"Anne de la Forge: Artisan Emailleur Moderne et Designer","_seopress_titles_desc":"D\u00e9couvrez le travail unique d'Anne de la Forge, emailleur d'art. Architecte d'int\u00e9rieur et artiste, elle transforme l'\u00e9mail d'orf\u00e8vre en \u0153uvres d'art contemporaines.","_seopress_robots_index":"","_seopress_analysis_target_kw":"","footnotes":""},"categories":[42],"tags":[],"class_list":["post-2997","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artisans-d-exception"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.majuno.fr\/en\/wp-json\/wp\/v2\/posts\/2997","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.majuno.fr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.majuno.fr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.majuno.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.majuno.fr\/en\/wp-json\/wp\/v2\/comments?post=2997"}],"version-history":[{"count":3,"href":"https:\/\/www.majuno.fr\/en\/wp-json\/wp\/v2\/posts\/2997\/revisions"}],"predecessor-version":[{"id":3171,"href":"https:\/\/www.majuno.fr\/en\/wp-json\/wp\/v2\/posts\/2997\/revisions\/3171"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.majuno.fr\/en\/wp-json\/wp\/v2\/media\/3162"}],"wp:attachment":[{"href":"https:\/\/www.majuno.fr\/en\/wp-json\/wp\/v2\/media?parent=2997"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.majuno.fr\/en\/wp-json\/wp\/v2\/categories?post=2997"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.majuno.fr\/en\/wp-json\/wp\/v2\/tags?post=2997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}